Actor of enormous depth and intricacy known for her capacities in the movie of Ingmar Bergman
It is often the fate of any actor who worked regularly for the illustrious Swedish director Ingmar Bergman to be feted, above all, for that association. Among this upper-class ensemble, Bibi Andersson, who has died aged 83, appeared in 10 the characteristics and three video films by Bergman, which included such masterpieces as The Seventh Seal( 1957 ), Wild Strawberries( 1957) and Persona( 1966 ).
With Persona, Andersson became internationally recognised as a musician capable of enormous penetration and intricacy. Playing Nurse Alma, taking care of Elizabet Vogler( Liv Ullmann ), a far-famed actor stricken with psychosomatic loss of speech, at a remote seaside bungalow, Andersson has to deliver most of the dialogue of the movie. The spiritual affliction is written on the features of the two produces as they begin to understand one another and exchange identities.
With this film, the female face in close-up became Bergman’s main field of vision, and Andersson was an important part of that vision.
Born in Stockholm, the daughter of Josef Andersson, a businessman, and Karin( nee Mansson ), a social worker, Andersson first satisfied Bergman while she was still at school, when she appeared in one of the soap commercials he made in the early 1950 s. She played a princess who has to give a swineherd 100 kiss in return for a barroom of soap.
While studying at the Royal Dramatic Theatre school in the Swedish capital, she began her screen occupation in 1953 in “fresh-faced girl” personas. At first, Bergman, for whom she had appeared for a few minutes on stagecoach in the theater incident in Smiles of a Summer Night( 1955 ), used her carefree persona to play a strolling player, Mia, the dedicated bride of the child-like juggler, in The Seventh Seal. Andersson delivers glamour and glisten into plague-ridden 14 th-century Europe, acting wildernes strawberries( symbolising the coming of springtime) to the errant cavalier( Max von Sydow ).
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