Based on the thump tale by Sarai Walker, the brand-new succession tackles situations of extreme apprehensions placed on women with rage, reprisal and ultimately murder
In one of the saddest instants of the brand-new black comedy serial Dietland, the show’s heroine, Plum Kettle, lovingly broils and embellishes a cake. She sings passionately, absolutely immersed in her act, which is clearly a true-blue labor of love. When she finishes the final touches, she dabs a little of frosting on her paw and takes a tiny taste. For a very brief moment, she looks blissfully joyous and material, until she realizes that she is not allowed even such small indulgences according to the incredibly restrictive diet she is on in preparation for getting weight loss surgery. A look of horror appears on her face and she immediately moves to the sink to rinse her mouth out.
Scenes like this one illustrate the extents with which Plum has been instructed that she doesn’t deserve joy. Throughout the serial, Dietland interrogates how our current beauty culture’s emphasis on ” perfection” encourages self-harm. This is seen from the opening credits where a cartoon Plum, ogling lamentable and dejected, starts a wander up a mountain of confectionary plows. As she moves up the mountain, she loses weight and has a makeover with a red dress, captivating the attention of several male supporters, but she keeps clambering and climbing getting skinnier and skinnier, until eventually a skeleton of herself gets to the top and dies.