Michelangelo Beat Koons, McQueen, as Met Attendance Tops 700,000

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Contemporary art is not all the rage, after all. At least, it’s not the only rage.

” Michelangelo: Divine Draftsman and Designer ,” a sprawling exhibition that resolved its three-month run at the Metropolitan Museum of Art on Monday, allured 702,516 beings, property as the 10 th-most-attended show at the New York-based museum.

Sourced from 50 public and private collects in the U.S. and Europe, the exhibition shouldered out” Alexander McQueen: Savage Beauty ,” a 2011 is demonstrating that had occupied the slot after captivating 661,509 visitors.

The Renaissance master also pulsated” Jeff Koons on the Roof ,” a menagerie of giant, balloon-like animals by the most expensive living American artist at auction. That expo captivated 657,801 parties in 2008. The Michelangelo show is within a stone’s throw of the numbers for a 2010 Pablo Picasso show that drew 703,256 guests.( The all-time record is held by” The Treasures of Tutankhamun ,” which ran in the late 1970 s and reaped more than 1.3 million people .)

Michelangelo’s in the Sistine Chapel ceiling: red chalk, with small-minded accents of grey chalk on the left shoulder of the figure in the main study.

Source: The Metropolitan Museum of Art, Purchase, Joseph Pulitzer Bequest, 1924.

” We are delighted that more than 700,000 people from around the world experienced first-hand the loom genius of Michelangelo through this once-in-a-lifetime exhibition ,” Daniel H. Weiss, president and chief executive of the Met, said in a statement.” Eight years in the making, the present was a thorough and breathtaking reexamination of a luminary of Renaissance art, and markings the first time a collection of this magnitude has been united in one place .”

The exhibition included 133 traces and three marble carves by Michelangelo( 1475 -1 564 ), starting with his earliest painting–a torture scene he created at a tender young age. The museum likewise recreated, albeit on a smaller scale, the ceiling of the Sistine Chapel, the artist’s most famous work. There were commissioned descriptions, cartoons and architectural traces. Some components on lend had never before left Italy.

Most parties came to see” the side of the employer ,” says Susan Schulman, a private artwork trader specializing in Old Masters in New York.” Michelangelo is such a massive reputation. Almost no one of the 700,000 people who attended will ever have this opportunity again .”

The exhibition opened on Nov. 13, two days before another old master saw headlines around the world, when Leonardo da Vinci’s cover fetched $450.3 million at Christie’s. It was the highest price ever paid under a work of art. The 500 -year-old painting was acquired by the new Louvre Abu Dhabi museum.

The reproduction of the Sistine Chapel ceiling at the Met.

Photographer: Kellen Anna-Marie

” The Leonardo upshot ,” as marketers call the renewed interest in the field, boosted Sotheby’s Master Week auctions to a tally of $82.5 million last month in New York, nearly redoubling from $41.9 million a year earlier.

” The advertising that Christie’s rendered around the Leonardo sale caused the Met a little boost ,” says Schulman.

She saw the exhibition six ages.” I bid I could go back more. It’s such a deserving show–with all due respect to Jeff Koons .”

Many visitors were reproduced convicts. Robert Simon, an Old Master art dealer who was part of the group that rediscovered, departed five times. The works” compel severity and study ,” he said.” You get more out of them the more you look at them .” In the age when the artistry world-wide becoming increasingly about presentation, he contributed, it shows that a serious show on the highest level can also be a blockbuster.

Still, as much as they may move the masses, old master generally remain undervalued, compared to postwar and contemporary prowes, among wealthy collectors. A single 1982 cover by Jean-Michel Basquiat fetched $110 million at Sotheby’s in May. Michelangelo’s auction record of $12.3 million has remained unbroken since 2000, according to Christie’s.

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