Protest and parade on wall street of San Francisco

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The 80 s were a decade of demo for California photographer Janet Delaney. As her photos are collected in a journal and the city conjures again she talks about her work

In 1981, at the start of the Reagan times, photographer Janet Delaney decamped from the South of Market- or SoMa- community in her beloved San Francisco, where she had lived since her teens, to a new home in the Mission district. Aged exactly 29, she had spent the previous few years documenting social change and gentrification in SoMa.” I was exploiting a large format camera on a tripod, so I had to apply my chief under a pitch-black cloth to take a photograph, which cleared me feel very conspicuous ,” she says.” It was kind of formal .”

She required a more “fluid” know-how of street life, and in Mission that is exactly what she got. It was a tumultuous era and protests and processions were playing an increasingly important part in the daily life of the mainly Latino district, which was also residence to sizeable homosexual and African American communities.

Crowd Waiting, 1986.’ These people are waiting for a procession. I wasn’t a press photographer but I’d go out with the written press parcel- I could do that then. Now you can’t do anything without insurance clearance. Notice how no one has a camera. Today everybody would have a cellphone. I don’t constitute image in that situation any more- they don’t need me.’ Photograph:( c) Janet Delaney/ Mack

” We were responding to a radical change in political position not unlike what we are feeling now ,” says Delaney, speaking from her home in Berkeley, California, exactly across San Francisco bay.” Anyone who, like me, came of age during the age of Aquarius, the summer of desire, the ever hopeful 70 s, was just thrown off balance by the 180 -degree political alter that happened as the Reagan era came in. In San Francisco there was a really strong reaction against the invasion of countries such as Nicaragua and Grenada. People were angry that Star Wars was using up an enormous amount of fund, abortion claims were being cut back and Reagan was refusing to provide funds towards knowing a dry for Aids. So it was not disparate to the rollback of civil liberties we are experiencing again under Trump. There was slew to talk about and parading, parading and demonstrating was one of the main ways to do it. We didn’t have the internet then .”

Delaney, who began her occupation taking photographs in war-torn Central America, met herself taking to the streets of Mission whenever she had a spare moment, with a smaller, less noticeable camera slung around her neck. This allowed her to move almost invisibly through the crowds.” I was truly enamoured of the processions and protests and the being they encapsulated. And with the smallest camera- it was a twin-lens reflex like the one Diane Arbus utilized- I could just sidle up to beings and take a photograph. It was an exercise in tightening a bit, only recording “whats going on” around me on the streets and taking it in ,” Delaney says.

Young Men With Beer and Music, 1986.’ These people had probably just been out, strolling through one of those street fairs. It looks like they are preparing for an evening out, with their six-packs. What was so wonderful about boomboxes then was that while you might be annoyed by other people’s music blasting out, at least you would be sharing an experience, as opposed to everyone being siloed in their own curated stream.’ Photograph: Janet Delaney/ Mack

Now produced together for the first time, her photographs lead us in and out of gathering, through demonstrators, street parties, dancers, cross-dressers, organization organisers, grace players and Bible-toting Christian progenies. Gay boys in girl scout garbs protest against the contras. Mothers and children march for” Peace, Jobs and Justice “. Among them, Delaney notes intimate instants as well as collective voices.

Surprisingly, Delaney never proposed the photos to be published.” I was genuinely exactly taking them as an number of cherish for my region, as you might report their own families, and then putting them away ,” she says. For two decades, during which she married, developed two children and pursued other projects, they lay in a carton, which ended up in the loft of her Berkeley home. They were rescued most recently, alongside her SoMa photographs- now also published in notebook species- when she bought a state-of-the-art scanner capable of turning them into digital files.

Boy With Transformer, 1986.’ This was taken at the Martin Luther King parade. That transformer is a nice analogy for the transformation that was happening all over us. The knowledge that he has it on his head is so childlike- he’s saying, I want to be bigger, shape me bigger, alter me. And the slightly older boys in the background add a touch of menace. Having like to remind you that, there was an incredible gumption of optimism and enthusiasm the working day. It was a particularly strong moment.’ Photograph:( c) Janet Delaney/ Mack

Why publish now?” It seems to me that the concerns of the Reagan era have returned ,” she says.” The latitudes are impressive. Here the administration is, post-Obama, which was probably one of the more hopeful periods in its own history, once again feeling as if the carpet has been pulled out from under our paws .”

As the fury has returned, so too have the protests and parades. But do they make a difference? Delaney thinks so.” I can’t run the numbers but I think the aim of demonstrations is manifold , not least of whose purpose is to energise the people who are in them and to generate a collective gumption of responsibility so that we are not just isolated in our own macrocosms .”

Public Matters by Janet Delaney is published by Mack, PS30

Two Schoolgirls, Mission Street, 1985.’ This would then be taken after school, adjudicating by the dawn. These girls are in Catholic institution garb. I fantasize the shadow has such a strong, foreboding feeling to it. I always find it interesting when girlfriends are just turning. They are not kids any more, they are adolescents, but they are still wearing their dres. They have socks on. It’s how they control their uniform that is so interesting. The girlfriend with the makeup and the earrings is really into that transitional phase.’ Photograph:( c) Janet Delaney/ Mack

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